{"id":13,"date":"2006-10-30T17:48:10","date_gmt":"2006-10-30T17:48:10","guid":{"rendered":"http:\/\/eusebiusduo.org\/?page_id=13"},"modified":"2019-01-05T12:38:03","modified_gmt":"2019-01-05T19:38:03","slug":"press-english","status":"publish","type":"page","link":"https:\/\/eusebiusduo.org\/?page_id=13","title":{"rendered":"Reviews"},"content":{"rendered":"<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\"><a title=\"July 13\" href=\"http:\/\/www.sfcv.org\/reviews\/tapping-schumanns-soul\/\" target=\"_blank\" rel=\"noopener\"><em><strong>Tapping Schumann&#8217;s Soul <\/strong><\/em><\/a><\/div>\n<div align=\"center\"><em><strong>(click on title for link)<br \/>\n<\/strong><\/em><\/div>\n<div align=\"center\">San Francisco Classical Voice, Sunday, July 13, 2008<\/div>\n<div align=\"center\">By Jerry Kuderna<\/div>\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/div>\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\"><em><strong>With Bravura and Authentic Fire<br \/>\n<\/strong><\/em><\/div>\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">Westfaelische Rundschau, Monday, August 14, 2006<\/div>\n<div align=\"center\">\n<div align=\"center\">\n<p align=\"left\">\n<p align=\"left\">&#8220;Two young artists surprised the public yesterday with exquisite chamber music, having flown in from the USA. However, the violinist Monika Gruber is a native of Dortmund, and still holds strong ties to her homeland. Her pianist comes from Wisconsin and shares with her a love for Robert Schumann, whose pseudonym Eusebius (the expression of his lyrical and melancholy self) gave the duo its name.<\/p>\n<div align=\"left\">\n<div align=\"left\">\n<p align=\"left\">&#8220;The two likable musicians work together outstandingly. Naturally, their performance included Schumann: his Sonata in D minor op. 121 brought the varied program to a close. Monika Gruber has a soft, clear tone, which she can also imbue with gripping fire. Hillary Nordwell supports her with musical zeal, rich with accents and confidently articulated. They communicated Schumann&#8217;s romantic mood-changes sweepingly to the audience.<\/p>\n<div>\n<p align=\"left\">&#8220;They began &#8216;classically&#8217; with Ludwig van Beethoven&#8217;s &#8216;Spring&#8217; Sonata. Already here they showed vivacity, tender interchanges between the two instruments, and phrasing rich in contrasts. In the Sonata in A major op. 13 by Gabriel Faure (who Monika Gruber called the &#8216;French Schubert&#8217; in her introduction to the piece), they let themselves be swept away by the<b> <\/b>\u00e9lan of this melodic, spacious music. With their bravura, they swept the public along with them, and were thanked with extreme warmth in the audience&#8217;s applause.&#8221;<\/p>\n<div align=\"center\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/div>\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\"><em><strong>&#8220;Eusebius&#8221; with Bravura<\/strong><\/em><\/div>\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">\n<div align=\"center\">Ruhr Nachrichten, August 14, 2006<\/div>\n<div align=\"center\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<p align=\"left\">\n<div align=\"left\">&#8220;With three virtuosic pieces, the summer matinees in Westfalenpark came to an end Sunday. Monika Gruber (Violin), who was born in Dortmund and now lives in San Francisco played with her pianist Hillary Nordwell, also from San Francisco. As the &#8220;Eusebius&#8221; Duo, they are committed to the music of Robert Schumann.<\/div>\n<div align=\"left\">\n<p align=\"left\">&#8220;It is the split between the lyrical &#8216;Eusebius&#8217; and the wildly open &#8216;Florestan&#8217; (both pseudonyms of Schumann), that also characterizes the playing of the duo. Quick-tempered displays of strength pair themselves with irresistibly melting tone.<\/p>\n<\/div>\n<div align=\"left\">\n<p align=\"left\">&#8220;The Schumann D minor Sonata for Violin and Piano stood out as the high point of the program. Furious energy and wandering melodies, motoric drive and gentle singing, came together in a musical expression that was not so much brilliantly soloistic, but instead mirrored the dichotomy between composed depth and artistic interpretation.<\/p>\n<\/div>\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<p align=\"left\">&#8220;The musical partners seem, even in the smallest nuances, to be in agreement with one another. Thus they are able to keep a very soft tone in the main voice of Beethoven&#8217;s &#8216;Spring&#8217; Sonata. Sensitive and ingenious, the contrasts are vigorously sown with elements of surprise. The songlike passages are drawn out with rubati (deliberate fluctuations in tempo); the joyful passages are lively, communicated with overwhelming intensity.<\/p>\n<\/div>\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<p align=\"left\">&#8220;In Gabriel Faure&#8217;s A major Sonata, by comparison, the sobbing emotion and the lyrical content are finely counterbalanced.<\/p>\n<\/div>\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<p align=\"left\">&#8220;The representative qualities of Faure&#8217;s chamber music, like the expansive themes and the tension-filled, strongly rhythmicized voice leading, are presented on a wide musical canvas, on which the various moments in the piece offer filigree, at times comfortably carried and at other times sharply embedded.<\/p>\n<\/div>\n<div align=\"left\">\n<div align=\"left\">\n<div align=\"left\">\n<p align=\"left\">&#8220;In summary of this morning: The artists performed the works in passionate, clearly graspable, and not artistically overdone, colors.&#8221;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Tapping Schumann&#8217;s Soul (click on title for link) San Francisco Classical Voice, Sunday, July 13, 2008 By Jerry Kuderna &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212; With Bravura and Authentic Fire Westfaelische Rundschau, Monday, August 14, 2006 &#8220;Two young artists surprised the public yesterday with exquisite chamber music, having flown in from the USA. However, the violinist Monika Gruber is a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-13","page","type-page","status-publish","czr-hentry"],"_links":{"self":[{"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13"}],"version-history":[{"count":1,"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":65,"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=\/wp\/v2\/pages\/13\/revisions\/65"}],"wp:attachment":[{"href":"https:\/\/eusebiusduo.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}